展览地点:  第一届国际奖杯“Arte Impero”（视频展：巴黎、维也纳、罗马），2016年。

发表于：第一届国际奖杯“Arte Impero”目录，EA Editore（第 196 页，附评论）。

Published in: catalogue of the First International Trophy “Arte Impero”, EA Editore (page 196 with comment).

评论 保罗·利维教授:

在这里，我们正在处理一幅有时逐渐变得抽象的绘画，具有令人愉悦的视觉冲击力，但同时变得有趣且具有挑衅性。

艺术家努力激发观察者的好奇心和愉悦感，因为他相信通过游戏的按键，他也许能够向自己提出有关过去和当代历史的问题。

马可·萨尔瓦托·马拉马奇（Marco Salvatore Malamaci）深知色彩的表现潜力，但最重要的是强调绘画的智慧和构图系统的独创性。他不仅在绘画技法的运用上有很高的造诣，而且在情感层面上也有出色的准备。

Marco Salvatore Mallamaci’s compositions are created through the chromatic dialogue of skilful and transparent tonal counterpoints from which apparently idyllic and sensual figures emerge but which in reality lend their bodies to the faces of famous people from Hitler to Pope Francis.

Here we are dealing with a painting that at times fades into abstraction, in a context of very happy visual impact and which however becomes playful and provocative at the same time.

The artist works to create curiosity and fun in the observer, as he believes that through the key of the game, he can perhaps ask himself questions about past and contemporary history.

Marco Salvatore Mallamaci knows the expressive potential of colour well, but above all the wisdom of the drawing and the originality of the compositional system must be highlighted. Not only does he possess great mastery in the use of pictorial techniques, but also great preparation on an emotional level.