梨  (不是静物)

The Pear (Unstill Life)

画于: 北京（中国）

Painted in: Beijing (China) 

参展：2003年第六届北京国际艺术博览会；第八届广州国际艺术展，广州，2003年；第十一届中国美展，中华世纪坛，北京，2004年；第七届北京国际艺术展，北京，2004年；第九届广州国际艺术展，广州，2004年.

Exhibited at: The 6^th Beijing International Art Exposition 2003; The 8^th Guangzhou International Art Exhibition, Guangzhou, 2003; The 11^th China Art Exhibition, China Millennium Monument, Beijing, 2004; The 7^th Beijing International Art Exhibition, Beijing, 2004; The 9^th Guangzhou International Art Exhibition, Guangzhou, 2004.

发表于：中国艺术杂志，第87页；北京名人，第20页.

Published in: China Magazine Arts, page 87; Famous Persons in Beijing, page 20.

评论:

“马可创作了一系列致力于“生命自然”的画布，而不是传统的静物画，例如《烛台》、《梨》和《装饰花瓶》，仔细观察，这些作品构成了对女性形象的致敬。该系列不仅凸显了造型的优雅和女性身体的蜿蜒，更凸显了其内在品质，如“道德坚定、廉洁、精神健康”。 （萨布丽娜·法尔佐尼博士）

Comment: 

"In place of the traditional still life, Marco created a series of paintings dedicated to “live life” such as “Candelabbra”, “The Pear” and "Ornamental Vase," which clearly pay homage to the female figure. These pieces highlight not only the elegance of the shapely and sinuous female body; they also highlight internal qualities such as moral determination, honesty and having a healthy spirit". (Dr. Sabrina Falzone)