时光飞逝 美的蜕变
Tempus Fugit: Metamorphosis of Beauty
画于: 亚的斯亚贝巴（埃塞俄比亚）
Painted in: Addis Ababa (Ethiopia)
发表于：La Chine au présent（《今日中国》杂志法文版），第42年，n. 4、2004年4月（第51、52、53页，采访导演胡春华和加拿大记者Louise Cadieux）。
Published in: La Chine au présent (French language edition of the magazine China Today) 42nd year, n. 4, April 2004 (pages 51,52,53 with interview with Director Hu Chunhua and Canadian journalist Louise Cadieux).
源自 拉丁语 (Tempus fugit = 时光飞逝)
与《将军》避免你谴责的眼神不同，在《Tempus Fugit：美的变形》中，这位女士直视着你的眼睛，仿佛她有什么重要的事情要向你传达，也许是要教你。女仆的身体与老太太腐烂的身体（尤其是嘴唇的细微差别）之间的强烈对比，迫使人们反思生命的短暂……
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Tempus Fugit: Metamorphosis of Beauty
Author's comment:
From Latin (Time flies: metamorphosis of Beauty)
Unlike "The General", who avoids your condemning look, in "Tempus fugit: Metamorphosis of Beauty" the Lady looks at you straight in your eyes, as if she had something important to convey to you, maybe to teach you. The intense contrast between the body of the maid and the putrescent one of the old lady (observe, particularly, her lips' nuances) compel people to a moment of reflection on life's ephemerality...
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评论:
八十年代末，艺术家发生了变化，这在作品《Tempus Fugit：美的变形》中得到了很好的体现，其中发展了虚荣的微妙主题：美与时间的神秘，不可阻挡地前进。 。 。寻找风景，从它的美丽到它不可避免的衰败。在《Panta rei》中，一位年轻女子以清新诱人的身体出现，与苍老、暗淡和变色的脸形成鲜明对比。围绕剪影的绿色斗篷的戏剧性色调增强了生命终结的戏剧性，成为死亡的预兆。 （萨布丽娜·法尔佐尼博士）
Comment:
"At the end of the 1980’s, a change can be noticed in the artist’s work and it is evident in "Tempus Fugit: Metamorphosis of Beauty”, where the delicate theme of vanitas is developed: the mystery of beauty and of time that passes ruthlessly on a discovery of the passage from beauty to its relentless decline. In “Panta rei”, the healthy and inviting body of the young woman contrasts her dull wrinkled face and aging features. The tragedy of life’s transience is enhanced by the bright tones of a green cloak enveloping the shape, like a premonition of death". (Dr. Sabrina Falzone)
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希腊语“Panta rei”的意思是：一切都在流动。
根据希腊著名哲学家赫拉克利特的教诲，一切都在流动。
Panta rei everything flows
According to the famous Greek philosopher Heraclitus’ teachings, everything flows.
